Wednesday, November 21, 2012

Fuzzy locals release weekly $5 video series

Charlotte band Your Fuzzy Friends is in the midst of releasing a series of music videos the first of which features a couple of dancing mustaches. The purveyors of said `staches received five dollars for their trouble. That's the hitch. The funny, electro-pop band, which consists of puppet master Lee Grutman and a series of literally stuffed fuzzy friends, teamed with "Shutter16 Magazine" to recruit folks through the fiverr.com/ website where artists post what they're willing to do (and film) for a measly five bucks. Christopher Olson of Springfield, Missouri, for instance advertised his willingness to make a mustache dance to any song the buyer wanted him to. You can watch the video here.

The latest installment - released today - pairs Your Fuzzy Friends' rather beautiful synth-pop song "Mathletes" with equally stunning anime. You can view that one above.

It all sounds a bit confusing until you watch the videos. The first, for YFF's "Don't Touch My Mustache," is pretty self-explanatory. For the second video for the less G-rated song "Banana Hammock" a Turkish video editor strung some very strange footage of nearly nude, not svelte men running around the woods in animal masks and what very well could be the after hours dance party at a convention for sports mascots, birthday party entertainers, occasional Flaming Lips' employees and other people who run around dancing in full animal costumes. You can check that one out here.

Your Fuzzy Friends will be releasing five dollar videos for a new track each week for the next eight weeks. Grutman (pictured), who was also in L.A. Tool & Die and Fat Camp, is the sole member but he creates his wacky ditties about the high school social structure and dancing body parts on guitar and sends those files to programmer Kelly Shane who turns them into electro-pop songs. Combined with the fact that there are stuffed animals involved in the live show, it's a pretty great endeavor. It's so delightfully strange in fact it's been voted one of the weirdest bands in the world by www.weirdestbandintheworld.com/, which places it alongside some of my favorite famously weird artists Devo, Frank Zappa, and Rasputina.

`80s explosion for 2013 concert season

Maybe it's not quite an explosion, but the 2013 concert schedule is racking up names that made it big in the `80s faster than you can sing "Cuts Like a Knife." Neighborhood Theatre previously announced Christopher Cross ("Lau-ra," which my dad would sing every time Luke came on screen while I was watching "General Hospital" as a child) will play the NoDa venue January 20. Blumenthal Arts also previously announced the return of Bryan Adams' Bare Bones acoustic tour, this time at Knight Theater.

Yesterday Time Warner Cable Arena announced Bon Jovi will make its return March 5. Yes, Bon Jovi's popularity has never truly wavered over the decades, but it was the `80s that gave us "You Give Love...," "Livin' on a Prayer" and "Wanted Dead or Alive."

To top it off today I got word that one of my favorite `80s ladies, Pat Benatar with her husband Neil Giraldo, are scheduled to play the rather intimate McGlohon Theatre January 22 (if aspiring six-year-old performers/music nuts could have role models, she was it. The 1982 clip above was a favorite). Benatar's show is just two days after Cross, one after Adams, and two days before the `80s-heavy Yacht Rock Revue at Visulite, which covers everything from Cross to Hall & Oates to Boz Scaggs. Sounds like a week for a live-in babysitter (oh, Mo-om?).

Check out individual venues for ticket information and on sale dates. Tickets for most shows are already on sale. Benatar/Giraldo tickets go on sale to the public Saturday, November 24. A sale date for Bon Jovi seats has yet to be announced.


Monday, November 19, 2012

Clapton returns to Charlotte in 2013

Eric Clapton returns to Charlotte April 2 at Time Warner Cable Arena. Special guest, the Walflowers, will open the tour. Clapton's band will consist of Doyle Bramhall II on guitar, drummer Steve Jordan, keyboardist Chris Stainton , bassist Willie Weeks with newcomers Paul Carrack on organ and keyboards and Greg Leisz on pedal steel and returning backing vocalists Michelle John and Sharon White. 

Tickets to the April 2 show go on sale at 10 a.m. Saturday, December 15 at Ticketmaster, www.livenation.com, by calling 1-800-745-3000 and at the Time Warner Cable Arena box office and select Walmart stores. 

The guitar great's tour, which kicks off in Phoenix March 14, will end with a two-night stay at Madison Square Garden for the fourth installment of Clapton's Crossroads Guitar Festival, the first of which was held in Dallas in 2004. The 2004, 2007 and 2010 Festivals were also captured on DVD. Profits from the Festival will benefit The Crossroads Centre in Antigua, a treatment and education facility for those with chemical dependencies founded by Clapton.


Friday, November 16, 2012

Crow, Blind Boys, SCI part of Haynes' Xmas Jam

NC-native Warren Haynes will hold his 24th Annual Xmas Jam in his old hometown of Asheville, December 15. The Gov't Mule/Allman Brothers' guitarist always welcomes an interesting group of guest musicians to the long running holiday fundraiser for Habitat for Humanity. Some have been there practically every year since the jam's humble beginning at the 45 Cherry Club in 1989, but it also attracts new A-listers to the mountains each holiday season. This year's headliners include Sheryl Crow, Blind Boys from Alabama, String Cheese Incident, Trombone Shorty & Orleans Avenue, and Haynes himself. Frequent participants Mike Barnes, Anders Obsborne and Kevn Kinney (of Drivin' n' Cryin') are listed as special guests and more will be added before the December show.

The 24th Annual Xmas Jam marks both String Cheese Incident and Crow's first, although SCI's Michael Kang appeared as a guest in 2003 and Crow's band - Audley Freed, Robert Kearns, and Fred Eltringham -  are considered Jam regulars.

The Xmas Jam isn't the only attraction that weekend. Kinney will lead an All-Star Acoustic Jam at Jack of the Wood on Friday night and Saturday from noon to 5 p.m. Tickets are only available at the door day-of. Anders Osborne, the Revivalists, and the Lee Boys will perform Saturday at Asheville Music Hall while Velvet Truckstop, Jeff Santiago, the Folkadelics & Delicious perform at the Emerald Lounge. Tickets for the additional shows are available here.

The actual Jam takes place Saturday at The US Cellular Center Asheville (the former Asheville Civic Center). VIP tickets are available here. General admission tickets are available for $69.10 here. Proceeds, as always, benefit Habitat for Humanity. Find out more at www.xmasjam.com/2012/.

Thursday, November 15, 2012

This week's hot concerts


Justin Townes Earle/Tift Merritt
8 p.m. Friday, November 16, McGlohon Theatre, 345 N. College St. $20-$25. www.carolinatix.org
Since playing Evening Muse for a rapt, but sparse room in 2008, Steve Earle’s eldest son has released four albums that paint him as a tradition-steeped musical explorer. Opener Merritt is an NC native with a voice that’s as sweet and pure as honeysuckle.

Tom Russell
8 p.m. Friday, November 16, Evening Muse, 3227 N. Davidson St. $20-$22. www.eveningmuse.com
Though not as well-known as many of his peers, Russell is a songwriter’s songwriter who channels his outsider status into his impeccably written originals. He’s also an author whose published three books and a regarded painter.

Rosie Flores
8 p.m. Saturday, November 17, Evening Muse, 3227 N. Davidson St. $15-$17. www.eveningmuse.com
The 62-year-old rockabilly firecracker takes the lead (guitar that is) on her new album “Working Girl’s Guitar,” which makes up part of her set along with a tribute to one of her heroes, Janis Martin, who died in 2007.

The Love Language
8 p.m. Saturday, November 17, Visulite, 1615 Elizabeth Ave. $12-$14. www.visulite.com
It hasn’t released a new record since 2010’s “Libraries,” which simultaneously captured the indie-rock sound of the Raleigh band’s home base and grand, atmospheric reverb-heavy pop-rock that drums up images of remote North Carolina vistas.

Perpetual Groove
8:30 p.m. Saturday, November 17, Neighborhood Theatre, 511 E. 36th St. $15/$30 VIP. 704-358-9298.
The original lineup including keyboardist Matt McDonald is on board for this improv-heavy outfit’s latest trek, which will include plenty of the dynamics-driven mix of funky R&B, jazz, prog-rock, and electronic music that’s long fueled its flame.

Kaki King
8 p.m. Sunday, November 18, Tremont, 400 W. Tremont Ave. $15-$17. www.ticketfly.com
The ever-evolving and prolific guitar virtuoso’s elastic style can veer from jazzy and percussive to exotic, ethereal and foreign to mysterious and funky on her new record “Glow.” Her otherworldly instrumental work and her film scoring has attracted several A-list admirers.

Lamb of God
7 p.m. Wednesday, November 21, Fillmore, 1000 NC Music Factory Blvd. $45. www.livenation.com
The Richmond metal band is back on the road after a tumultuous year that includes cancelling summer dates due to singer Randy Blythe’s controversial incarceration in the Czech Republic. With In Flames, Hellyeah, and Sylosis.

Benefit for Mike Martin
8 p.m. Wednesday, November 21, Double Door, 1218 Charlottetown Ave. $10. www.doubledoorinn.com
Martin has been undergoing cancer treatment while continuing to man the Double Door’s bar. With the Spongetones, Gigi Dover & Big Love, the Federal Brothers, Don Dixon and the Jump Rabbits, and Sonny Skyyz and the Rainmakers.

Madonna - not the only feminist, gay icon in town Thursday


Madonna graces Charlotte for the first time ever tonight, but she isn’t the only groundbreaking feminist icon performing in town Thursday. Kaia Wilson, who plays Evening Muse with Lucy Wainwright Roche and Lindsay Fuller, was a driving force behind lesbian punk band Team Dresch and Durham-based rock trio the Butchies and remains an accomplished solo singer-songwriter.

Madonna was hugely important to my generation. Whether I agreed with her fashion and music decisions (those late`80s  eyebrows, cheese like “Cherish”), she pushed buttons and continued to evolve. Sometimes her work was brilliant. Sometimes it bordered on silly, but I can’t imagine pop culture over the last 30 years without her.

Wilson isn’t as well known, but when the Portland-based guitarist/singer-songwriter emerged along with the Northwest’s riot grrrl and queercore movements, the number of well-known, all female lesbian groups was, well, the Indigo Girls. While there was something empowering about humorous stereotype-skewing tracks like Team Dresch’s “Song for Anne Bannon,” much of Wilson’s output I find extremely universal. She also never shied away from gender bending imagery, but her music was never presented as exclusive.

I found myself thinking the same thoughts listening to her new album “Two Adult Women in Love.” Who can’t relate to songs of love and loss? More than anything it’s Wilson’s gentle, unique vocals that draw me in every time whether she’s raging with Team Dresch, popping along with the Butchies (my favorite of her projects), or making intimate, quiet acoustic folk (featured in the above video).

While Wilson’s notoriety has been on a smaller scale than the Material Girl’s (whose hasn’t really?), her impact is comparable. Like Madonna she stood up, stood out, and did her own thing, which in turn makes being different a bit more widely accepted for the rest of us.

Having traveled to see Madonna twice - once for the momentous 2001 Drowned World Tour and again in 2004 for the disappointing (I barely remember it) Re-Invention Tour - I’m sitting this one out in part so my editor and his wife can witness the spectacle that is MDNA for the first time. But really, I don’t mind. I’d rather remember the Drowned World Tour fondly and there’s no way she’ll play “What It Feels Like for a Girl,” which to me remains one her most feminist musical statements.

Wilson’s show begins at 8 p.m. at Evening Muse (3227 N. Davidson St.) and given Madonna’s chronic tardiness you probably have time to see both acts if you’re so inclined. Tickets are $12-$15. www.eveningmuse.com

Wednesday, November 14, 2012

Sugar Glyder's new video, new bassist

Charlotte-based rock four-piece Sugar Glyder were tentatively scheduled to celebrate the release of its new album earlier this month during a show at Amos' Southend. The record has been pushed to 2013, but the show was a memorable one regardless as it was bassist Emily Aoyagi's last with the band. The concert drew upwards of 400 fans, which is quite a feat for an independent local outfit. The band released the above video a few days after the show.

It's currently on tour with fellow Charlotteans HRVRD and Junior Astronomers, which I imagine is serving as quite an impressive ambassadorial package tour for the Queen City while traveling the East Coast. The tour is the first with brand new bassist Robby Hartis, who was an integral part of two of my favorite Charlotte bands My Captain and the Lights, Fluorescent. The tour ends tomorrow at New York City's Bowery Electric.