I asked others to submit their favorites earlier this week, so here are my favorite albums of 2014.
Damon Albarn - "Everyday Robots"
My four and five-year-olds, who love Albarn's Blur and Gorillaz, had a big impact on my favorite
albums this year. My husband and I didn’t expect Damon Albarn's solo album to
top both of our best of lists this year (he posts one at the Stoner Rock forum
he frequents), but this quiet, intimate solo debut
is stunning. My husband digs all the real life sounds Albarn sampled to create the music. I dig the incredibly personal lyrics.
Against Me! "Transgender Dysphoria Blues"
My 3 year old started singing the chorus to "True Trans Soul
Rebel" in the cart at Whole Foods. I’ve found kids are a good filter for music.
A toddler has no preconceived notions
from friends or the press and very few
outside influences when it comes to taste. So when one of the kids instantly
picks up on new music, I pay attention. Aside from that "Transgender Dysphoria
Blues," which followed the public revelation that Against Me! singer Tom Gabel
was transitioning to frontwoman Laura Jane Grace is also a game changing album
when it comes to transgender stories and acceptance. She manages to make her
personal story universal. Anyone that’s felt like an outsider can identify with
this incredible album.
Phantogram - "Voices"
"Black Out Days" is another Whole Foods buggy
favorite of my now 4 year old, who first heard it on Siriux/XM. It was already
a front runner before it was on repeat constantly in our car. The Brooklyn duo
showed great promise on its previous work, but "Voices" is a more consistent
and cinematic effort.
Cory Branan - "No Hit Wonder"
In a perfect world (or in the `70s) Americana's no hit
wonder would be a country music juggernaut. On "No Hit Wonder" he writes ample
hooks with lyrics that shift from funny to heartbreaking to somewhere in
between. "While she sleeps I trace the places where your tattoos use to be" from "The Only You" is the kind of zinger that Taylor Swift might covet. Branan
is also about the most charismatic performer you could meet, as he proved opening
for Justin Townes Earle in November.
Nostalghia - "Chrysalis"
The first time I heard Ciscandra Nostalghia’s song "Sunshiny
Milk" driving home from the Y last Spring, I got chills. It was like the
musical equivalent to BBCA’s "Orphan Black." The band’s debut album is a rare
unique find, combining gothic elements (of bands like Curve, Rasputina, and Switchblade Symphony)
with classical and electronica and an other worldly delivery reminiscent of an
industrial Bjork.
Taking Back Sunday - "Happiness Is"
I call TBS’ latest album a soundtrack to transition. I
listened to it every morning my first week of grad school. The emo vets tackle
grown up issues with gusto on tracks that are easily put to memory. It
doesn’t hurt that it can stay on repeat for days.
Neon Trees - "Pop Psychology"
The first time I heard "Pop Psychology" I thought the Utah foursome
had gone too pop, but after repeat listens the band's third album grew on me
(and my kids). Singer Tyler Glenn, who came out this year, and the crew create
an infectious and youthful dissertation on finding love and building real
relationships in the increasingly impersonal digital age.
Lydia Loveless - "Somewhere Else"
This twangy Ohio singer-songwriter has become one of my favorite
performers. As a lyricist and live performer she speaks with brutal honesty and a sense
of humor. She’s like a riot grrrl gone country writing songs for modern, fickle
relationships and independent thinkers.
Iceage - "Plowing into the Field of Love"
I heard this while shopping at Lunchbox Records without
knowing who it was, but I’m a sucker for a manly baritone and bass that
practically drags the ground. It’s not what I expected given 2013’s noisier no
wave-influenced “You’re Nothing.” Those influences remain, but “Plowing into the Field…” is more accessible
and, in some ways that makes it even weirder. The rockabilly shuffle of “The
Lord’s Favorite” is as odd as is the sort of retro crooning of “Against the
Moon,” but that’s why it works.
Glass Animals - ZABA
It may be dubbed “indie rock,” but this Oxford band
veers pretty close to sultry R&B with a sort of visceral, tribal feel. Its
soft-spoken funk, electronica, and trip hop mines the same R&B feel as
Daley, but there’s an experimental world music quality that’s all its own.