Parents and children (buses full of them) toddled into Bojangles' Coliseum Friday morning for one of the latest live action "Sesame Street" musicals (it debuted in 2010). "Elmo's Super Heroes" plays five more times between now and Sunday evening (tonight at 7 p.m., Saturday at 10:30 a.m. and 2 p.m. and Sunday at 1 and 4:30 p.m.).
Having never been to a "Sesame Street" production as a child I was surprised how much remained true to the commercials I saw on television whenever the tour would come to nearby Charleston, WV. In fact, the show was just what I imagined as a kid. Mr. Hooper's store and the 123 building flanked a silhouetted cityscape that appeared on red curtains surrounded in lights. Behind the curtain staggered backdrops (Elmo's world and the city streets for instance) and a multimedia screen created a simple 3-D effect that allowed the monsters' environments to change easily.
The scenery, especially the "Big Cheese" alerts which delivered instructions and assigned cases to the Fabulous Five superheroes, helped move the action along, but the monsters were definitely the focal point. Bert and Abby Cadabby readied the crowd before Big Bird's introduction. Of course the greatest response was for the character whose name appears on the marquee. Elmo, Zoe, Telly, The Count, and Bert and Ernie joined in for the opening number where the letter and number of the day were announced.
The storyline about Grover losing his "superness" was quickly revealed. The actor who played Grover did a great job of capturing the character's physicality with animated movements, exaggerated gestures, and fall after fall. Another standout was Cookie Monster - the most agile, limber Cookie Monster I've ever seen. He easily led a team of kilt-wearing sheep in a "Riverdance" send-up and cut into acrobatic hip-hop dance moves like his limbs were made of jelly.
Abby Cadabby, Cookie Monster, Elmo, and Zoe formed a team of superheroes in Grover's absence and a character named Kay (the only human in the musical) helped the childlike monsters solve their superhero dilemmas. They learned (and in turned taught) about hygiene, exercise, and eating healthier from some of Sesame's most beloved veteran characters.
While the look and feel was similar to what I imagine was created for "Sesame Street's" first productions in the early `80s, the music has been updated to reflect the times. There were a couple of hip-hop dance numbers, one in particular which owed thanks to Gwen Stefani's "Hollaback Girl," and revised renditions of Bonnie Tyler's "Holding Out for a Hero" (which appeared on the original "Footloose" soundtrack), Madonna's "Vogue," and James Brown's "I Feel Good."
Elsewhere in the show are songs based in rollicking gospel, big band (for a Gene Kelly-era style dance number), and `50s rock n' roll (during which Bert wears a pompadour). While it's completely geared toward kids there are a few jokes that resound with adults - limburger cheese and feather boas come to mind.
The stage was erected in the center of the Coliseum, so your child will be able to see the action. However the best seats are definitely in the center and back as the view of the screen is obstructed from the sides. I was also glad we wore jackets because the air conditioning was cranked.
Most all the children I saw enjoyed the show - especially the music and monsters. Some danced in the aisles, constantly jumping up and down to the songs, in-turn practicing Elmo's healthy habits as they watched the show.
Friday, March 30, 2012
Scorchers' alter-ego sings nature songs for kids at Muse Saturday
Today everyone from Ziggy Marley to Jewel to Barenaked Ladies release children's music albums. They Might Be Giants has created a second career making music for young kids. But Jason Ringenberg of `80s country-punk pioneers Jason and the Scorchers donned bib overalls and adopted an alter-ego over a decade ago when he assumed the identity of Farmer Jason. Farmer Jason released his latest album, "Nature Jams," in February and returns to Evening Muse for a 2 p.m. matinee Saturday, March 31.
"Nature Jams," which comes with a bonus DVD, is a guest-heavy effort that finds Farmer Jason singing about all kinds of outdoor activities. Cheap Trick's Tom Peterson and singer-songwriter Ruthie Foster join him for an ode to spelunking. He and R.E.M.'s Mike Mills sing of hiking. Americana songwriter Webb Wilder and the Black Crowes' Steve Gorman team with Ringenberg on a bouncy gem called "Dison the Bison."
Our three-year-old was instantly drawn to the banjo-driven "Can You Canoe?" which features Alison Brown on five-string.
"Nature Jams" also highlights how environmentalism relates to enjoying the great outdoors. Jason and the Scorchers sing about glaciers. He and Nashville neighbor Hank Williams III and Tommy Ramone sing about manatees.
The music leans toward country and folk, but there are other styles as well. Victor Wooten lays down a spoken-word, jazz-funk groove. The Saw Doctors rock pretty hard on "Well Oh Whale." Some of the songs are pretty punky.
Todd Snider, who appeared on Ringenberg's 2006 similarly-themed kid's record "Rockin' in the Forest"(which was recently remastered), returns to sing about moose . You can hear how much fun he and Ringenberg had recording the intro.
You can learn more about the new album here. Tickets to Saturday afternoon's children's show are $8-$10. www.eveningmuse.com
Charlotte's Temperance League release old school 45s with retro feel
Charlotte rock quintet Temperance League released two new singles earlier this month and by singles I mean two two-track vinyl records - what my mom's generation referred to as 45s and what mine calls seven inches. These tracks are also available as digital downloads for a dollar each, along with the ones Temperance League released this time last year.
The rocking political anthem "No Jobs, More War" is my favorite from that early batch (it appears on the "Freedom From Evil Spirits" three-track download), although I really dig the equally frustrated "Ain't Nobody Listening" too.
The four new songs released this month - "I Don't Wanna" backed with "But I Have To" and "Your World" backed with "Our Fine Romance" - show a different side of Temperance League. Comprised of Charlotte music scene veterans Bruce Hazel, Shawn Lynch, David Kim, Chad Wilson and Eric Scott, Temperance League's previous releases highlighted its rough-edged garage rock while alluding to its roots in `60s rock and soul. The new tracks delve deeper into that `60s garage soul sound. It's easy to imagine them spinning on my step-dad's jukebox when we were growing up.
Both will be available in vinyl form when the group headlines Plaza Midwood Community Radio's fundraiser Friday, March 30 at Snug Harbor. The lineup includes Little Bull Lee, the Bear Romantic, and Asheville's Saint Solitude who begins its East Coast tour here. Show starts at 9 p.m. Admission is free, although a donation of $5 is recommended. The money raised will benefit the Charlotte-based internet radio station, which features local programming and hosts with a big emphasis on local artists. Check it out at www.pmcradio.org.
Temperance League's new singles are also available for download here.
The rocking political anthem "No Jobs, More War" is my favorite from that early batch (it appears on the "Freedom From Evil Spirits" three-track download), although I really dig the equally frustrated "Ain't Nobody Listening" too.
The four new songs released this month - "I Don't Wanna" backed with "But I Have To" and "Your World" backed with "Our Fine Romance" - show a different side of Temperance League. Comprised of Charlotte music scene veterans Bruce Hazel, Shawn Lynch, David Kim, Chad Wilson and Eric Scott, Temperance League's previous releases highlighted its rough-edged garage rock while alluding to its roots in `60s rock and soul. The new tracks delve deeper into that `60s garage soul sound. It's easy to imagine them spinning on my step-dad's jukebox when we were growing up.
Both will be available in vinyl form when the group headlines Plaza Midwood Community Radio's fundraiser Friday, March 30 at Snug Harbor. The lineup includes Little Bull Lee, the Bear Romantic, and Asheville's Saint Solitude who begins its East Coast tour here. Show starts at 9 p.m. Admission is free, although a donation of $5 is recommended. The money raised will benefit the Charlotte-based internet radio station, which features local programming and hosts with a big emphasis on local artists. Check it out at www.pmcradio.org.
Temperance League's new singles are also available for download here.
This week's hot concerts
Mavis Staples
8 p.m. Friday, March 30, McGlohon Theatre, 345 N. College
St. $32.50-$39.50. 704-372-1000.
From her work with the Staples Singers to 2011’s Grammy
winning, Jeff Tweedy-produced album, “You Are Not Alone,” Staples has enjoyed a
storied career that never overshadows her powerful voice.
Lindsey Horne
8 p.m. Friday, March 30, Evening Muse, 3227 N. Davidson St.
$8-$10. 704-376-3776.
If you’ve lost track of this Charlotte singer-songwriter
since the middle part of the decade she’s back with a new album that showcases
her piano folk and sweet Joni Mitchell-meets-Victoria Williams vocals.
Ponykiller
8 p.m. Friday, March 30, Tremont, 400 W. Tremont Ave. $7. www.etix.com
Don’t be fooled by the New Orleans’ outfits association with
Phil Anselmo’s Housecore label, it’s brand of psychedelic indie rock dirges is
trippy and dark, but is certainly not metal.
John Wesley Harding
8 p.m. Saturday, March 31, Stage Door Theatre, 5th
and College, $25. 704-372-1000.
With a guest-heavy (Decemberists, Rosanne Cash, Peter Buck)
2011 album out on NC’s Yep Roc label, the English alt-folk singer-songwriter
and author makes a rare Charlotte appearance.
Mike Strauss Band/Leadville Social Club
9:30 p.m. Saturday, March 31, Double Door, 1218 Charlottetown
Ave. $5. 704-376-1446.
Strauss’ gruff, Tom Waits-ian delivery is a nice
counterpoint to his bouncing folk-on-steroids band, while the loose format of
Leadville - led by Bob Graham and Chris Edwards - has helped it become a local Americana fixture.
Robert Glasper Experiment
7 p.m. Sunday, April 1, Neighborhood Theatre, 511 E. 36th
St. $20-$25. 704-358-9298.
The versatile jazz-rooted quartet welcomed a bevy of guests
from the worlds of hip-hop & R&B for its latest, “Black Radio,” but keeps
an anchor in loose, grooving experimental
jazz throughout.
Darrell Scott
7 p.m. Sunday, April 1, McGlohon Theatre, 345 N. College St.
$22.50-$27.50. 704-372-1000.
After a career as a revered country songwriter (for the Dixie
Chicks and Brad Paisley instance) and sideman, Scott is enjoying a bit of a higher profile thanks to his work in Robert Plant’s Band of Joy. But his
latest, “Long Ride Home," shows he’s a heck of solo artist.
Carrie Nation & the Speakeasy
8 p.m. Wednesday, April 4, Milestone, 3400 Tuckaseegee Rd.
$6-$9. www.etix.com
Brass and grass is the perfect term to describe this
Kansas-based outfit that fires up brisk bluegrass-esque tunes with
vaudeville-style horns and fun, punk attitude.
Van Hunt
9 p.m. Thursday, April 5, Double Door, 1218 Charlottetown
Ave. $15. 704-376-1446.
One of the most rewardingly adventurous artists since
Prince, this funk-soul artist follows up 2011’s incredible “What Were You
Hoping For?” with a live album that captures his band’s vibrant energy on
stage.
Wednesday, March 28, 2012
Jack Black; `90s rock among this week's concert announcements
After a long absence monsters of joke-folk-metal, Tenacious D, will hit the road this summer following the release of its third album, "Rize of the Fenix." The tour brings the duo of Jack Black and Kyle Gass to The Fillmore Tuesday, June 26. A video comically covering the band's absence is available here. The Sights will open the show.
The Used, whose new album was released Tuesday, are also scheduled to play the NC Music Factory venue May 23 with Stars in Stereo.
The Fillmore's neighboring Time Warner Cable Uptown Amphitheatre recently announced the Last Summer on Earth Tour featuring Barenaked Ladies, Big Head Todd & the Monsters, Blues Traveler and Cracker July 13. The `90s are apparently hot again because another group of WEND 106.5 The End `90s staples - Everclear, Sugar Ray, Gin Blossoms, Lit and Marcy Playground - bring the Summerland Tour to the Uptown Amphitheatre just two days later on July 15.
Another act that rose to fame in the `90s - 311 - brings its annual summer tour to Verizon Wireless Amphitheatre July 25. Slightly Stoopid and the Aggrolites (who headline Tremont May 13) will support.
On the country front, Toby Keith is back at Verizon Wireless Amphitheatre Saturday, August 25 with his Live in Overdrive Tour. Brantley Gilbert opens the show.
Tickets for all shows except the Summerland Tour, go on sale Friday, March 30 at 10 a.m. at www.livenation.com, www.ticketmaster.com, by calling 1-800-745-3000 or at the venue box offices. Summerland Tour tickets go on sale April 14 at those same outlets.
The Used, whose new album was released Tuesday, are also scheduled to play the NC Music Factory venue May 23 with Stars in Stereo.
The Fillmore's neighboring Time Warner Cable Uptown Amphitheatre recently announced the Last Summer on Earth Tour featuring Barenaked Ladies, Big Head Todd & the Monsters, Blues Traveler and Cracker July 13. The `90s are apparently hot again because another group of WEND 106.5 The End `90s staples - Everclear, Sugar Ray, Gin Blossoms, Lit and Marcy Playground - bring the Summerland Tour to the Uptown Amphitheatre just two days later on July 15.
Another act that rose to fame in the `90s - 311 - brings its annual summer tour to Verizon Wireless Amphitheatre July 25. Slightly Stoopid and the Aggrolites (who headline Tremont May 13) will support.
On the country front, Toby Keith is back at Verizon Wireless Amphitheatre Saturday, August 25 with his Live in Overdrive Tour. Brantley Gilbert opens the show.
Tickets for all shows except the Summerland Tour, go on sale Friday, March 30 at 10 a.m. at www.livenation.com, www.ticketmaster.com, by calling 1-800-745-3000 or at the venue box offices. Summerland Tour tickets go on sale April 14 at those same outlets.
Sunday, March 25, 2012
Review: The Black Keys at Bojangles' Coliseum
The Black Keys ended the first leg of its 2012 North
American tour with a sold out concert at Bojangles’ Coliseum Saturday. Tickets sold
out well in advance for the band who - thanks to a slew of commercial and TV
placements, word of mouth, and a decade of diligence - has brought funky,
soulful blues-rock to the mainstream. Ever since the Black Keys opened for
Kings of Leon in September 2010 at Verizon Wireless Amphitheatre - arguably
stealing the show (the crowd response alone tipped in the Keys’ favor) - the
Ohio-based combo has been due for a Charlotte headlining gig.
A black clad Arctic Monkeys - the British rock quartet who
rocketed to fame in the UK in 2006 but are still chasing household-name status
stateside - opened the show with a solid set that showcased front man Alex Turner’s
charisma and chops.
The Black Keys approached from the shadows of the large
white screens that flanked the stage. Dan Auerbach and Patrick Carney were
placed side by side at stage front while touring musicians Gus Seyffert and
John Wood hung in back providing bass, keys and guitar. It launched into “Howlin’
For You” followed with “Next Girl,” both from 2010’s breakout album “Brothers.”
Carney’s drums popped with jarring clarity on “Run Right Back.” In fact, aside
from the expected distortion the sound was loud and fairly clear especially
compared to Bruce Springsteen’s 17-piece band playing the similarly laid out
Greensboro Coliseum earlier this week where all the instruments and backing vocals
could get muddled. The Black Keys played it straight and simple from the band
makeup to the minimal videos and lighting (although I heard that the sound on
the floor wasn’t as clear).
After renditions of “Same Old Thing,” “Dead and Gone,” and “Gold
on the Ceiling” Seyffert and Wood disappeared backstage leaving Carney and
Auerbach in their original duo form. The crowd went wild for older songs like a
loose, jammy version of 2006’s “Girl is on My Mind,” which seemed more like a
blues spiritual than the frustrated `60s garage-rock original. It also hit on 2002’s
“I’ll Be Your Man,” a slice of classic-sounding soul, and 2006’s “Your Touch,”
which had thousands bouncing, fists pumping in the air.
With the rest of the band back the slower, `60s-feeling “Little
Black Submarines” with its “broken heart is blind” refrain served as the
biggest sing-along - the Black Keys’ power ballad of sorts. “Money Maker,” “Strange
Times,” “Chop and Change,” “Nova Baby,” and “Ten Cent Pistol” followed before
the capper of “Tighten Up” and the danceable “Lonely Boy.” The latter - the lead track from its latest album "El Camino" - received
the biggest response since the duo set. It had the entire building pulsing as
the group whipped through it.
Auerbach and Carney returned to the stage for a three song encore. Not since
Jon Spencer Blues Explosion has a rock band worked such a funky, sexual groove
as the one in “I Got Mine,” its final song. But the Black Keys are less showmen
and hypemen (compared to Spencer’s over-the-top stage persona) and more soul men.
There was little schtick just pure rock n’ roll, simple instrumentation, and straight
forward performances from marvelous players that can completely ravage their
instruments while making such flowery playing look easy and relaxed.
As “I Got Mine” came to a close the band’s name dropped from
the ceiling in flashing lights. The flashing sign, the enormous disco balls
which were also saved for the finale, and the light trees that flanked the
band, were the only props throughout the show. Those worked because they were
simple and matched the band’s aesthetic. Like the Foo Fighters, the Black Keys serve
as a reminder that a good rock band doesn’t need to provide an onstage circus
to rock.
Thursday, March 22, 2012
Drake to make Charlotte tour stop
The tour follows the Canadian former "Degrassi: The Next Generation" actor's successful run of college gigs and the November release of his sophomore album, "Take Care."
Tickets for the Charlotte show go on sale Saturday March 31 at 10 a.m. at www.livenation.com, www.ticketmaster.com, Verizon's Hardees' Thick Burger box office, at select Walmart locations, and by calling 1-800-745-3000. For information on VIP tickets go to www.VIPNation.com.
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