The annual God Save the Queen City festival returns for its sixth year in August. Instead of an all-day fest as in its first four years or last year's multi-day event, the taste-making event will change formats somewhat taking over Snug Harbor's weekly residency and culminating with a larger concert at the Fillmore.
The main concert takes place August 27 at The Fillmore with Austin-based Canadian guitar and drum duo Black Pistol Fire, Greenville, SC native and cool country singer-songwriter Nikki Lane, Nashville's Promised Land Sound, and Charlotte's Serfs.
The first 500 early bird tickets for the Fillmore show are $10. After that advanced tickets are $15 and $20 at the door.
The weekly residencies also presented by Charlotte-based screenprinters Ink Floyd and Pabst Blue Ribbon take place each Wednesday and feature both out of town and local acts. Admission for those is a $2 donation that will go toward the Save the Milestone campaign. Greater monetary donations are encouraged.
Wednesday Aug. 3 kicks off with Nashville's Daddy Issues, Charlottesville's Left and Right, and Charlotte hip-hop fixtures Elevator Jay and Rapper Shane. Acts for Aug. 10 are Nashville Kansas Bible Company, New Jersey's rock powerhouse the Everymen, and Charlotte's Business People.
August 17 it's T. Hardy and the Knocks from Athens with Charlotte's Dust & Ashes and Landless. Memphis' Space Face team with Charlotte's It's Snakes and Ancient Cities Aug. 24. And the God Save the QC residency ends with a Houston Brothers reunion Aug. 31. The Houstons follow Noises Ten and Hot Gates' frontman Jason Scavone, and Midwood staples the Fat Face Band.
God Save the Queen City is again teaming with Heist Brewery on a signature seasonal English porter. The beer will make its debut at Heist July 15 where local rockers Temperance League, who performed at past GSTQC, will perform.
For more information check out www.gstqc.com, www.godsavethequeencity.com
Tuesday, May 24, 2016
Sunday, May 8, 2016
Carolina Rebellion's inaugural 3-day run offers diversity and camaraderie
Carolina Rebellion ends its three day run at Rock City
Campgrounds today. The festival kicked off in Concord Friday with a mix of
classic rock and metal, `90s radio staples, and a smattering of current acts.
It continued Saturday with half of thrash metal’s Big Four and some of the
genre’s bigger acts.
Expanding from two to three days for the first time in its
six year history allowed for a more eclectic lineup. Friday’s focus was largely
nostalgic.
German metal legends the Scorpions – Friday’s headliner -
marked the occasion as its first with longtime Motorhead drummer Mikkey Dee,
who is filling in on the band’s North American dates. The Swede’s first drum
solo here since Motorhead’s final show in Charlotte in September felt like a
triumphant return. The death of Motorhead’s linchpin, Lemmy Kilmister, in
December marked the end of Dee’s 23 years with the group.
Many in the Rebellion crowd had never gotten a chance to see
Scorpions before and the group didn’t disappoint. It kicked its set off with
“Going Out With a Bang” from its 2015 album “Return to Forever.” The
introduction felt like a mission statement for the night and for the band,
given its 51 year history. Some of its members are only a few years shy of 70.
The production was what you expect of a headliner, with Dee on a stage-length
platform a story above the rest of the band (who came and went via two hidden
staircases) and a series of graphics interspersed with footage of the band on
three giant screens.
Scorpions (below) surprisingly didn’t stack the setlist with hit
after hit opting for 1990’s “Tease Me Please Me” instead of radio staple
“Rhythm of Love” or power ballads “Wind of Change” or “Believe in Love.” It did
offer up “Still Loving You” during the encore. “Rock You Like a Hurricane” put
the final exclamation point on the night.
The crowd, which trudged in droves between the two main
stages all weekend, went from Jacksonville, Florida - a hit-filled set by road
dogs Lynyrd Skynyrd - to Deutschland. For years Skynyrd has performed at the
seated PNC Music Pavilion as a co-headliner or support act, but the chaos of
the general admission crowd added a new energy to the show. Given his
expression as he launched into a solo during “Sweet Home Alabama,” guitarist
Rickey Medlocke seemed to note the crowd surfing. The Southern rock band may have
seemed an odd fit for the heavy festival, but given the location and its
historical place in rock, Skynyrd fit right in.
Georgia’s Collective Soul, which closed out a run of `90s
hit makers on one of two smaller stages, was a fitting lead-in for Skynyrd with
pop-rock radio staples “The World I Know” and “Shine.” The latter even had fans
in the field who were simply waiting for the next band singing along.
Filter and Candlebox preceded Collective Soul as did another
hit-heavy band, Three Doors Down, on the main stage. While those acts are
mainstream rock staples, the more aggressive Escape the Fate and New Year’s Day
appealed to a younger crowd on the opposite side stage. The former was at the
mercy of Friday’s brisk winds, which meant inconsistent volume during songs
like “Just a Memory.”
Veterans of hard rock giants, Nikki Sixx (Motley Crue) and
Vinnie Paul (Pantera), respectively gave crowds a taste of their current bands
Sixx:A.M. and Hellyeah. Paul’s rumbling blast beats shook the hill top as he
and his bandmates from Mudvayne and Nothingface plowed through Hellyeah’s late
afternoon set.
Sixx:A.M. - Sixx’s collaboration with former Guns n’ Roses
guitarist DJ Ashba and producer/vocalist James Michael - delved into
theatrical, almost rock opera territory with two female backing vocalists whose
voices could go from shouting catchy choruses to operatic swells. They were
certainly not just eye candy and contributed to the show with those varied
vocals and interplay with frontman Michael. With a focus on uplifting, positive
messages and that theatrical bent, Sixx:A.M. proved to be doing something that no
one else is right now and it worked to its advantage.
There are always a few wild cards on the bill, and NC’s
prog-metal experimentalists Between the Buried and Me filled that role. It’s
fluttering, harmony dual guitar parts, nimble sci-fi bass lines, and mood
altering synthesizer were actually the perfect soundtrack for the sunset. Even
if its rollercoaster of arty metal was too heady for some, everyone recognized
its cover of Queen’s “Bohemian Rhapsody” – an ambitious festival feat given the
length of the song and the brevity of anyone but the headliners’ sets.
Short sets meant a 25 year old band like Clutch, who closed
out the same side stage as BTBAM on Saturday, was relegated to 30 minutes. It
opted for four tracks from its latest album, “Psychic Warfare,” one from its
previous release, and two older tracks.
The format also meant fans had to choose between side stage
acts, while the main stage bands alternated times. That pitted Clutch against
recent Grammy winners Ghost, whose theatrical show and last year’s radio play
and buzz meant the Swedish metal band was one of the festival’s newer must-sees. Visually its costumes were scaled back to simple white faces and black clothes, but the performance was not.
Yet the variety of the bill meant Saturday fans could also opt for the psychedelic stoner metal of the Sword or Parkway Drive's growling metalcore.
Thrash metal founders Anthrax and Megadeth played in
succession on the Carolina stage. As with past Rebellions, Anthrax packed its
40-minute set with mosh-inducing staples “Caught in the Mosh,” “Got the Time” its
“Antisocial” cover and “Indians” along with a couple from its new album.
The crowd surfing and circle pits continued for Dave Mustaine, Dave Ellefson and company. The 54 year old band leader seemed a kinder,
gentler version sharing his appreciation for the fans and joking about messing
up the lyrics to “Sweating Bullets.” Its set ended with the obligatory one-two
punch of “Peace Sells” and “Holy Wars.”
Florida’s A Day to Remember brought pop punk and hardcore
punch to the opposite main stage as the sun began to set. While delivering one catchy
chorus after another, the young-by-comparison band’s set was also big on
antics with a guy in a hot pepper costume shooting t-shirts at the crowd, an
anatomically correct blow-up doll making its way to the stage, singer Jeremy
McKinnon daring the audience to surf on top of crowd surfers. While most
attempts at the latter were foiled by gravity and the fact that a constantly
moving crowd isn’t Cirque du Soliel, a few managed to stay vertical atop the
crowd for a few seconds.
Lamb of God and Five Finger Death Punch delivered a biting
punch of metal on both fronts with Shinedown’s more mainstream rock closing out
Saturday night.
Carolina Rebellion finishes up Sunday with headlining sets from
Deftones, Rob Zombie and Disturbed. Horror rock icon Alice Cooper closes out
the side stage in the fitting pre-Zombie slot. The lineup also continues to
diversify with late afternoon sets from rapper Yelawolf and Cypress Hill and
punk vets Pennywise. Japan’s female fronted Baby Metal will certainly draw
curious onlookers with its cartoony image and theatrical, symphonic metal.
Throughout the weekend there was a defiant spirit that
Carolina Rebellion and its sister festivals prove that rock - while it’s not
the sole chart-ruler it once was – is by no means dead. But it’s sudden
underdog status isn’t lost on the people who make the music. Hellyeah praised the
region’s “metal community” and Pop Evil’s Leigh Kakaty thanked the crowd
for being the kind of people who go to a show on Friday night.
Entertainment has taken a hit across the board in the past
15 years, not only due to downloading and the collapsing record industry, but
in the live arena as well with more people choosing to stay online at home than
engage in a live concert. Yet as a stranger lifted my 60 pound 7 year old on to
his shoulders to watch Megadeth (top), I was reminded of the camaraderie and
community that these kinds of events create. In a global climate where so much
emphasis is on division, the kind of unity music creates is greatly needed.
Maybe it was the weather - much cooler than the previous few years, with rain falling only for a short time during Scorpions' set - or the ease of traffic coming in from I-85 during the afternoons this year, but
Carolina Rebellion seems to get easier to manage each year (although I don't know how traffic was coming in from the Speedway). The cigarette smoke, lack of vegetarian vendors (it's mac n' cheese, fries or nachos), or late day breeze from the port-a-potties and occasional mud were the only downsides this year and for many, if not most concert goers, smoking and meat are part of a metal way of life.
Wednesday, May 4, 2016
Q&A with actor Kiefer Sutherland, who plays Visulite Wednesday
Fans
know actor Kiefer Sutherland from starring roles in Fox’s “24” and films dating
back to “Stand By Me” and “The Lost Boys,” but they don’t know him as a
singer-songwriter. A lifelong music fan who started the independent Ironworks
label with best friend/musician and producer Jude Cole in 2002, Sutherland will
release his debut album, “Down in a Hole” in June. The tour leading up to the
folk-country release stops at Visulite Theatre tonight. Sutherland spoke to the
Observer earlier today about the transition to music.
Q:
So what role did music play in your life growing up?
A:
Music was a huge thing. It started when I was very young. I had a brother who 7
years older than me that I idolized. He made a point of playing stuff for me
whether it was Jackson 5 or Elton John, songs with lyrics that were quite
transcendent to any age. I made a joke I was the only 3rd grader
listening to Aerosmith.
I’ve
watched my daughters. My youngest is 28 now. They listen to music in a very
different way. I remember putting headphones on and taking a few hours with an
album. They don’t do that. (For me) it wasn’t an addendum to another activity whether
it was being on the set and taking time to play or listening to something that
would put me in a good mood. As an art form I gravitate more toward listening
to music than going to movies. And I love movies.
Q:
Did you absorb a lot through the artists on the label?
A:
Certainly as a writer. I watched different artists like Rocco Deluca and
Suzanne (Santo) from HoneyHoney. Anything I’d written before that time had been
a fluke. I’d play a few chords, I’d find a melody I liked. It was accidental. When
I watched these incredible artists it was very specific. I thought, I’ll try
that.
Q:
It seemed to work.
A:
Over the last 8 to ten years I’d written a few pieces and taken them to Jude
Cole only in the effort that we’d send songs to BMI or Sony Music and see if
their artists would be interested in covering them. He suggested we keep them
for myself. I laughed. I was certainly aware of the stigma of an actor doing
music and I didn’t want that. He took me out and we had a few drinks and I started
to like the idea.
Q:
For someone who has played characters, what’s it like putting yourself out
there through what’s largely autobiographical lyrics?
A:
It’s unlike any experience I’ve ever had. I’ve done a lot of live theater and
films and television, but I’ve always been able to hide behind that character.
The only common denominator I can find between the two - and its substantial -
is I like to tell stories. (Because) I hadn’t thought about it - which I guess
is pretty stupid - nothing prepared me for being on stage for the first time
and explaining why I wrote a song and this is what happened to me when I was
25. I can’t say it wasn’t a little disarming for me to be that open or honest
in front of a group of people. I was lucky that evening. It happened to be a
positive experience and we’ve gone forward like that. It probably would have
been different if they threw things.
Q:
I would think hearing those stories helps audiences relate to the songs.
A:
I’ve got a bit of a time concern because I’m doing a show for ABC, “Designated
Survivor.” The album won’t come out until June. It’s a big ask to have an
audience come to hear songs they haven’t heard before. Explaining where the
songs come from and why has helped that a bit.
Q:
Did you talk about this project with any actors that moonlight as musicians?
A: I
haven’t. It’s not because I’m not interested in what their experience was. It
was more of a time factor. There’s this idea that all actors know each other.
Outside Kevin Bacon I wouldn’t have known who to call. It was one of those
things we’re playing small bars and it was just an experience that I wanted to
have on my own.
Q:
What can you share about “Designated Survivor?”
A:
That’ll come out in the fall on ABC. There’s a part in the Constitution that
demands when there is a State of the Union or special event at Congress that
requires the government’s attendance, that a member of each party of each
cabinet is sequestered in case of a natural disaster or attack. In the case of
our show there’s a terrorist attack and the character I play becomes president
overnight. It’s about his family, political instability…this show is certainly
not “24.” I’m playing the president – yes I’ve gotten that old (he’s 49). I was
a huge fan of “The West Wing” and there are aspects of that, and with the
terrorist attack, it will have aspects of “24.”
WHEN: 8:30 p.m. Tonight
WHERE: Visulite, 1615 Elizabeth Ave.
TICKETS: $25